With cardboard boxes over their
heads, and two holes punched out for their arms, they began with wet
clay, and without any other idea than to see what came by handling it.
What they arrived at was not a sculpture, but a way to begin. The forms
were destroyed and remodelled – the possibility to reform them was
always there. It was a way to get to the thing. Read more...
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| untitled collage: Dillan Marsh & Eleanor Clare |
