I Am Still Within You - exhibition and live performance

 
 
 

I Am Still Within You
I Am Still Within You is devised by Eleanor Clare in collaboration with Kam Wan and Marcus Davidson (with thanks to Mathias Arvastsson for technical help).  It will be performed by Eleanor Clare, Johanne Birkeland, Natalie Sandtorv and Karoline Wallace.  During the performance, singers move through the darkness of the space.  At times they will be lit by the projections, but the emphasis will be on the affect of their voices on the space, and the movement of sound in relation to the projected images. The audience can become immersed into this atmosphere, if they so wish.  Nebula Fields, a sound piece by Marcus Davidson, will run durationally before and after the performance, with a film installation by Kam Wan.

Nebula Fields
When we look through telescopes or simply peer at the sky at night, we imagine space as a vast empty void, thinly populated by stars, planets and galaxies. But modern quantum physics tells us that even the most remote and lonely points in the universe pulsate with the energy of the zero point field. So all space is energy, therefore all space is frequency, therefore the universe IS sound.

The ancient Hindus said that the universe began with the word Om. When you listen to the space recordings, this word is ever constant. It makes you wonder what these ancient people really knew. It seems the universe is full of sound, yet our senses can only detect a very narrow window of it.

All the sounds on this installation are either actual processed recordings of space sounds made by space craft or land based listening posts, or sounds made to represent the feeling of engaging with the void of space, and simply observing it. (Marcus Davidson)


Film Projection
For me, the Moon offers endless fascination. Never static in its phase or position in the sky, it is the epitome of transient beauty.

She is time. She is a mirror.
She is timeless. She is a hole.

In taking the Moon's image, I am not attempting to capture its beauty but rather to acknowledge its own particular temporality and rhythm. The Moon is a beacon in a way that the Sun is not. We may stare full face to the Moon but, apparently, we risk madness.

My wider practice concerns Nature and physical processes. The body in space and how it endures duration is a central interest. Through drawing, I always leave an open invitation for processes and forces external to me to join in the exercise in many different capacities. Thus change, spontaneity, chance, decay and solidification are perennial bedfellows. (Kam Wan)

                                                                                                       


PAB OPEN @ Gamle Kretsfengsel in Bergen

Showing a collaborative durational performance with Elisabeth Færøy Lund and Sofie Knudsen-JanssonIn and Out of Tune

Three individuals in three cells are shifting between an internal and external focus. They are tuning into their surroundings by practicing attentive listening and intuitive vocal response.

The audience are invited to ring the bell, which will bring the three individuals into tune.

Once a day they come together to share a meal, and will at this time only focus on the action of communal eating.


Eleanor Clare at PAB OPEN 2013

At Home with the Ludski's #9: Voyage and Return

It happened!  The London premier of I Am Still Within You since the new arrangement of the score for vocal harmony by Marcus Davidson, with a film projection designed for his composition by Kam Wan.  I was accompanied by the singers Alexandra Anzemberger, Sharon Bowen & Maddy Cullen. 

http://grannyludski.wordpress.com/

Eleanor Clare, Kam Wan, Marcus Davidson at home with the ludskis

June Twenty-First


Dillan Marsh June Twenty First text by Eleanor Clare


Dillan Marsh presents the exhibition June Twenty-First at Entrée. As the title suggest the opening will be on the summer solstice, inviting you to participate in the marking of the longest day and shortest night of the year. In an immersive construction Marsh is activating a number of rituals and he employs commercial tactics like repetition, speed and distraction. The title is fixing the exhibition to a specific time and examines how we relate to the larger systems we are taking part of through participating in smaller events. Entrée finds itself re-branded and built into the concept of the work on show. Join us for June Twenty-First at 8pm!

Following the exhibition is a new Apis Press publication by Bjørn Mortensen with texts by Eleanor Clare. The exhibition will also contain a new edition of prints from collaboration with Patrick Wagner.

Dillan Marsh (b.1980, UK) lives and works in Bergen where he graduated from Bergen Academy of Art and Design in 2011. He has participated in exhibitions and projects internationally including Sculpture Space, Utica NY, Tag Team, Bergen and Künstlerhaus Dortmund. 

 
www.dillanmarsh.com

www.entreebergen.no

mybeautifulson with Zena Blackwell

Bmybeautifulson is a web-based collaborative work by Zena Blackwell. It was originally devised for Art Lab #1 Bern which was opened out as an opportunity to exhibit, collaborate and co-curate by Olivia Notaro.  Here is my addition to the whole.


Eleanor Clare, Zena Blackwell

Low Lying Cloud Shelter

PAB performance meeting 04.05.2013

Sydnesplassen and around, Bergen. 

Raindrops patter on plastic, which is a protection.  It makes me feel safe.  The wind is blowing this large sheet of plastic away, but I hold on tight, even though by the end it is falling apart.  Sometimes it obscures my vision, and I can't see other people's faces.  That's OK. 

Elisabeth Færøy Lund was my sole companion for the duration of this event.  She states that she is in a constant search for 'the moment of movement.'  As I perceive it, she creates sensitive improvisation, responding to her surroundings and those she encounters. 



 
 
Eleanor Clare low lying cloud shelter
photo by Kiyoshi Yamamoto


Eleanor Clare
photo by Kiyoshi Yamamoto




Eleanor Clare low lying cloud shelter
photo by Kiyoshi Yamamoto

 









 

 



Elisabeth Færøy Lund - photo by Kiyoshi Yamamoto

Glasgow Buzzcut

My Horn is a Chalice will be installed as a sound installation for the duration of the //BUZZCUT// festival of live art in Glasgow.  In contrast to previous installation sites, this time the work will be installed in a large disabled toilet in the bar on the Mezzanine level of the venue, The Old Hairdressers.  The sound installation will be accompanied by a written text to take away.  The two works, situated together in the toilet as they are, are designed to push connections between (amongst other things) ideas of the spitual and the earthly. And of course their site is one in which the spectator may be in a position ripe for contemplation.

A mono version of the installation is here:

 

Eleanor Clare
Eleanor Clare

My Horn is a Chalice


I am enamoured with the beauty and mystery of the unicorn. I must confess - it is a rapturous crush. I am carried away.







Eleanor Clare
A threshold; a journey through time and space.  A transition of state of mind or atmosphere. 

In medieval times the unicorn was represented in apochryphal tales of the divine conception, and then in the Renaissance as an allegory of courtly love.  It is believed that its wild nature only becomes submissive in the presence of a virgin, where it will nuzzle up to her and gently lay its head down in her lap - at which point it is also vulnerable to capture.  Other beliefs are that the horn has healing properties, against poison and also as an aphrodisiac. 

I realised this work as a sound installation for the exhibition The Ghost in the Machine situated at St Mary's Old Church, which dates back to 1563. The piece was situated in a small vestibule, which lead from an entrance to the church that was commonly known as 'The Poor Door,' and which also lead directly into the Vestry.  I felt that this placement of the work resounded with my original intention.   

Andrew Dickens sound engineered the piece. 



 

Cod Piece: A Split Tale

Cod Piece: A Split Tale is a performance video projection. The music was produced in collaboration with Fyn Wyre.

The 'narrative' focuses on the dual character of the Siren/Mermaid (Sea Weed Woman) and the Cod's Head, who exists in the position of a cod piece, beneath her skirts. 

Shown 27-30th January 2011 at the Bargehouse on London's Southbank

A short excerpt of the video is shown here:

Visus Tactus Gustus documentation